A symbolic, cinematic illustration of UFO waves mirroring human cultural stress: a vast night sky layered with multiple eras fading into one another — medieval villages, Cold War cities, and modern urban skylines blending seamlessly. Above them, recurring anomalous lights and shapes appear in different forms: fairy lights over fields, classic flying saucers, and modern glowing orbs, all aligned along a wave-like arc. Below, human figures from different eras look up in fear, awe, and confusion.

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In: Aliens and Alien Abductions, Fringe Theories, S.E.T.I., U.F.O.s, UFO Conspiracy Theories

If UFOs were simply extraterrestrial spacecraft, their appearances should be randomly scattered evenly across history, geography, and culture. But they aren’t. Instead, UFO sightings surge in waves, clustering around periods of profound social, psychological, and existential stress. These waves rise and fall in uncanny synchrony with moments when human societiesContinue Reading

A mythic, symbolic scene depicting a Trojan Horse reimagined as a UFO-shaped construct: a smooth, enigmatic craft-like form made of wood, symbols, and starlight rather than metal, standing at the gates of a human city. The structure is hollow, subtly glowing from within, filled not with soldiers but with floating questions, archetypal symbols, masks, and shifting lights. Onlookers welcome it with curiosity and awe, unaware of its true nature. The atmosphere is dreamlike and allegorical, blending ancient myth with cosmic imagery.

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In: Aliens and Alien Abductions, Cats, Cats and the Supernatural, U.F.O.s, UFO Conspiracy Theories

In 1970, computer scientist and ufologist Jacques Vallée published one of the most provocative works in the history of UFO studies: Operation Trojan Horse. His thesis was radical then — and feels eerily prescient now. Vallée argued that UFOs were not extraterrestrial spacecraft, but manifestations of an intelligence that interactsContinue Reading