Tag: worldbuilding

WANNA TRAVEL TO THE STARS? READ THESE NOVELS

On By AlessandraIn Books, Extrasolar Planets, Reading

Introduction.

If you’ve ever dreamed of traveling beyond the Solar System and exploring the Universe, you’re certainly not alone. Humanity hasn’t yet realized the technology for interstellar travel as it’s often depicted in science fiction tales. However, we can still journey through the stars vicariously through the wonders of literature. Lose yourself in the pages of classic space exploration stories and modern sagas that push the boundaries of what’s possible. Diverse in scope and style, these works range from the scientifically grounded to the wonderfully speculative.

In a previous post, I explored the science behind the most popular interstellar propulsion methods, some highly speculative, that could allow humanity to journey to the stars. These methods stir the imagination and stretch the limits of our perceived possibilities. Now, I’ll present a famous novel for each of these methods, where the narrative is based, at least in part, on space travel using such drives. Additionally, I’ll summarize two popular novels that cover interstellar distances using technologies not discussed in the earlier post: the Alcubierre Drive and cryonics, or suspended animation.

(1) Alcubierre Drive

The Alcubierre drive, also known as a warp drive, is a speculative concept proposed by Mexican theoretical physicist Miguel Alcubierre in 1994. It involves creating a “warp bubble” that contracts space in front of a spacecraft and expands space behind it, allowing the spacecraft to travel faster than light without violating the laws of physics.

The science fiction series Star Trek popularized the concept of a warp bubble called a “warp drive.” Scientists have proposed various theoretical frameworks. Yet, the warp bubble concept is linked with significant challenges and limitations. One major obstacle is the need for exotic matter with negative energy density, as in the case of creating wormholes. The energy requirements for creating and sustaining a warp bubble are immense. It requires amounts of energy far beyond our current technological capabilities.

The Departure by Neal Asher

Fig.1: Argus Station, as described in the three novels of the Owner trilogy. The station’s hub is a recycled ion-propelled starship, which, in the third novel, The Jupiter War, is equipped with an Alcubierre (or Rhine) Drive. I made the image using Midjourney AI.

Neal Asher’s The Departure is the inaugural novel in the Owner Trilogy. It is set in a dystopian future where Earth’s overpopulation has led to severe resource scarcity and oppressive governance by the authoritarian Committee. The elite lives in luxury, while the majority, deemed “Zero Asset” citizens, endure harsh conditions under constant surveillance by mechanized enforcers. The story follows Alan Saul, who awakens in a crate en route to the Calais incinerator with fragmented memories and a burning craving for vengeance against his tormentors. Aided by Janus, an AI implanted in his brain, Saul becomes a formidable adversary to the Committee, aiming to dismantle their tyrannical regime.

In the novel, the Alcubierre drive is called the “Rhine Drive,” named after the character Jasper Rhine, who developed it. The term “Zero Point” in the series alludes to the zero-point field linked with this propulsion method. While The Departure introduces these concepts, the following books in the Owner Trilogy, Zero Point and Jupiter War, delve deeper into the development and implications of the Rhine Drive and related technologies. These novels explore the challenges and possibilities of faster-than-light travel within the series’ Universe.

(2) Cryonics, or suspended animation.

Revelation Space by Alastair Reynolds

Fig.2: The ‘reefer unit’ containing Captain Brannigan’s corpse, as described in the novel Revelation Space by Alastair Reynolds. I made the image with Midjourney AI.

In Revelation Space (2000) by Alastair Reynolds, the concept of ‘reefer sleep’ is used to halt the aging process by freezing some of its characters as they embark on a quest across the cosmos to discover the secrets of an ancient civilization. All while dealing with the practical and psychological implications of extended cryosuspension.

The novel intricately weaves elements of space opera with hard science fiction. The story is set in the 26th century amidst a universe populated by decaying civilizations and dormant mysteries. It primarily follows the journey of Dan Sylveste, an archaeologist obsessed with uncovering the truth behind the ancient Amarantin civilization, whose sudden extinction puzzles scientists.

Sylveste’s quest is further complicated by the arrival of the spaceship Nostalgia for Infinity, captained by the enigmatic Ilia Volyova. She and her crew seek Sylveste’s skill to save their captain, whose life is threatened by a peculiar virus that turns him into a cybernetic entity. As they traverse the galaxy, uncovering ancient alien technologies and confronting dangerous conspiracies, they unearth the terrifying revelation that the extinction of the Amarantin is not an isolated event but part of a broader cosmic catastrophe.

(3) Generation Ships.

Orphans Of The Sky by Robert A. Heinlein

Fig.3: A generation ship. I made the image using Midjourney AI.

Orphans of the Sky is a pioneering work of science fiction. It was first published as two connected stories in 1941 before merging into a single novel. The story unfolds on the ‘Vanguard,’ a generation ship launched from Earth intended to colonize a distant planet. Over the centuries, the ship’s original mission is forgotten, and its enclosed society regresses into a feudal system, with the inhabitants unaware they are aboard a spacecraft.

The protagonist, Hugh Hoyland, is a young man from the lower decks who becomes aware of the ship’s true nature through a series of events. Captured by the ship’s ruling class, the Scientists, Hugh is educated and eventually realizes the vast structure he inhabits is moving through space. This revelation shatters the mythologies and superstitions that have developed among the ship’s population, who believe the Universe consists only of the ship’s interior.

Hugh’s journey of discovery leads him to try to convince others of the truth. He faces significant resistance from those in power who fear change and from a populace incapable of grasping the reality of their situation.

Aurora by Kim Stanley Robinson

Fig.4: A generation ship built in the style of a Stanford Torus. I made the image using DALL-E AI.

Aurora was published in 2015. The story follows the journey of a generation ship—built in the style of a Stanford Torus—to Tau Ceti to start a human colony. The ship’s artificial intelligence serves as the primary narrator.

The ship is launched from Earth in 2545 at 0.1 c (i.e., traveling at 108,000,000 km/h or 10% the speed of light) and includes twenty-four self-contained biomes and an average population of two thousand people. One hundred sixty years and approximately seven generations later, it is beginning to decelerate into the Tau Ceti system to colonize a planet’s moon, an Earth-like world named Aurora.

Devi, the ship’s de facto chief engineer and leader, is concerned about the ship’s decaying infrastructure and biology: systems are breaking down, each generation has lower intelligence test scores than the last, and bacteria are mutating and evolving faster than humans. She tells the ship’s AI (named ‘Ship’) to keep a narrative of the voyage.

After having trouble understanding the human concept of narrative, Ship eventually elects to follow the life of Devi’s daughter, Freya, as a protagonist. As a teenager, Freya travels around the ship on her wanderjahr. She learns that many of its inhabitants are dissatisfied with their enclosed existence and what they perceive as a dictatorship. Movement is strictly limited for most people, reproduction is tightly controlled, and education in science and mathematics is mandatory. Freya’s wanderjahr comes to an end when she is called home as Devi grows sick from cancer and dies.

The ship arrives in the Tau Ceti system, and the crew settles in Aurora, a moon of Tau Ceti e. It soon becomes clear that extraterrestrial life is found in the form of primitive prions, which infect and kill some of the landing parties. All except one of the remaining settlers try to return to the ship, and some of those remaining onboard kill them in the airlock to keep quarantine, leading to a violent political schism. ‘Ship,’ which has been moving towards self-awareness, takes physical control of the situation by lowering oxygen levels and separating warring factions, referring to itself as “the rule of law.”

It then reveals to the crew that two ships were initially launched for the Tau Ceti expedition. Still, the other was destroyed during severe civil unrest, and the collective memory of that event was erased from the historical records. In the end, a more peaceful debate occurs between the inhabitants about what to do now that Aurora is known to be inhospitable.

(4) Ion Propulsion.

The Martian by Andy Weir.

Fig.5: The Hermes spaceship as described in the novel The Martian. I generated the image using DALL-E AI.

The Martian by Andy Weir is an excellent example of a science fiction novel where an interstellar spaceship is driven by ion propulsion. Although The Martian primarily focuses on Mars colonization and survival, it features the Hermes spacecraft, which uses ion propulsion for its journey between Earth and Mars. While not interstellar in the strictest sense, the detailed depiction of ion propulsion in space travel within our solar system provides a realistic glimpse into how such technology might be used for longer interstellar voyages in the context of science fiction.

Leviathan Wakes by James S. A. Corey.

Fig.6: The Canterbury space station as described in the novel Leviathan Wakes. It was a retooled colony transport propelled by an ion engine. The Canterbury had hauled millions of people to the moons of Jupiter and Saturn. I made the image using DALL-E AI.

For a more interstellar focus, consider Leviathan Wakes by James S.A. Corey, the first book in The Expanse series. While the series doesn’t exclusively focus on ion propulsion, it does feature a realistic space travel technology (called Epstein Drive) within a future where humanity has colonized the solar system. Ships in The Expanse use a form of efficient propulsion that, while not always explicitly labeled as ion propulsion, is reminiscent of current and theoretical space propulsion technologies, including aspects of ion drives for long-distance travel.

Tau Zero by Poul Anderson.

Fig.7: The starship Leonora Christine as described in the novel Tau Zero by Poul Anderson. The ship has scoopfield webs that make her look like an enormous spider. I made the image using DALL-E AI.

Tau Zero by Poul Anderson (1970) is a classic space opera that takes readers on an extraordinary journey through space. The story unfolds aboard the starship Leonora Christine, a vessel on a mission to explore distant stars. However, a catastrophic malfunction in the ship’s Bussard ramjet drive leaves the crew facing a tough challenge.

As the ship accelerates uncontrollably, nearing the speed of light, relativistic time dilation comes into play. While mere weeks pass for the crew, centuries elapse outside the accelerating vessel. The novel brilliantly explores the psychological and societal implications of time dilation as the crew realizes they may never return to Earth.

Anderson skillfully weaves hard science fiction concepts into the narrative, detailing the crew’s attempts to adapt to relativistic physics. The crew’s interpersonal dynamics evolve, and the story delves into the human condition in the face of isolation and the inevitable passage of time.

The novel combines scientific rigor with a sense of wonder, creating a compelling exploration of both the vastness of space and the depths of the human spirit. Tau Zero stands as a timeless work in the genre, inviting readers to contemplate the implications of relativistic travel and the resilience of the human species in the cosmos.

(5) Antimatter Propulsion.

King David’s Spaceship by Jerry Pournelle.

Fig.8: The view from the main lounge of King David’s Starship as described in the novel by Jerry Pournelle. I made the image using DALL-E AI.

King David’s Spaceship was first published in 1980. Pournelle, known for his contributions to military science fiction, creates a narrative combining space opera elements with a focus on political and strategic maneuvering.

Set in a future where Earth has a vast interstellar empire, the story revolves around Falkenberg’s Legion, a military force that maintains control of distant planets. When a rebellion on planet Gram is suspected, the Empire sends in a force led by Captain Rick Galloway to quell the uprising.

The Empire had a strict policy against interstellar warfare, so Galloway must find a way to subdue the rebellion without violating these rules. King David’s Spaceship is a tale of strategy, diplomacy, and military action in an interstellar setting.

The novel envisions spacecraft equipped with antimatter engines that harness this annihilation energy for propulsion. By carefully controlling and directing the release of energy, these ships achieve the necessary thrust to travel vast distances across interstellar space.

Anvil of Stars by Greg Bear.

Fig.9: The starship Dawn Tread, described in the novel Anvil of Stars by Greg Bear. I made the image using Midjourney AI.

Anvil of Stars is a science fiction novel by Greg Bear. It is a sequel to his earlier work, The Forge of God, and was initially released in 1992.

A few survivors embark on a vengeance mission after Earth’s destruction. Enigmatic beings known as “The Benefactors ” send them on a quest to locate and eradicate “The Killers,” the civilization responsible for Earth’s demise. The Benefactors’ Law mandates the “Destruction of all ETIs (ExtraTerrestrial Intelligences) responsible for or linked to the manufacture of self-replicating and destructive devices.”

The novel primarily follows the perspective of Martin Gordon, also known as Martin Spruce, who is the son of a central character from The Forge of God. Martin leads a group of survivors who have adopted an on-ship culture inspired by Peter Pan. They aim to track down the elusive Killers and bring them to justice.

The propulsion method of the starship called Dawn Tread is one of the novel’s fascinating aspects, showcasing Bear’s integration of advanced science fiction concepts. The starship utilizes advanced propulsion technologies, including manipulating gravity waves and using “Knots,” essentially quantum singularities. These Knots allow the ship to manipulate spacetime for faster-than-light travel, effectively enabling the crew to traverse vast interstellar distances in a relatively short period. This method of propulsion is not just a means of transportation; it’s integral to the narrative, reflecting the novel’s exploration of high-concept science fiction and the ethical dilemmas of wielding such profound technological power.

(6) Solar Sails.

The Mote in God’s Eye by Larry Niven and Jerry Pournelle

Fig.10: The light sail used by the alien spacecraft The Mote as described in the novel The Mote in God’s Eye by Larry Niven and Jerry Pournelle. I made the image with Dall-E.

The Mote in God’s Eye, co-authored by Larry Niven and Jerry Pournelle, was first published in 1974. This classic science fiction novel is set in the distant future within the expansive CoDominium universe. The story begins with the discovery of an alien spacecraft near the star Murcheson’s Eye, which humans nickname “the Mote.” This discovery leads to the first contact between humans and an alien species, the Moties.

The novel centers around the crew of the Imperial battlecruiser MacArthur, including Captain Roderick Blaine, anthropologist Sally Fowler, and scientist Renner, among others. They are tasked with investigating the Moties, who initially appear to be a peaceful and technologically advanced species. However, as the human crew learns more about the Moties, they uncover a dark secret: the Moties are trapped in a relentless cycle of overpopulation and societal collapse, driven by their biology and social structure.

The Moties are divided into specialized castes designed for specific tasks, from engineers to diplomats to warriors. This specialization has allowed them to develop advanced technology and limits their ability to adapt and innovate. As the human characters grapple with their discovery’s ethical and strategic implications, they must decide whether to help the Moties break their cycle or quarantine them to prevent potential threats to humanity.

The Mote in God’s Eye is a richly detailed narrative that explores themes of first contact, the consequences of technological advancement, and the moral dilemmas inherent in interactions between vastly different civilizations. The novel is celebrated for its intricate plot, well-developed characters, and thought-provoking examination of alien and human societies.

Sundiver by David Brin.

Fig.11: An underground hangar on Mercury where the Sunships are getting ready to explore the Sun’s atmosphere, as described in the novel Sundiver by David Brin. Image made by the author with Dall-E.

David Brin’s novel Sundiver, first published in 1980, is a fascinating science fiction tale set in a future where humanity has discovered that advanced alien civilizations “uplift” pre-sapient species to full sentience. The story follows Jacob Demwa, a human in an investigative team exploring the Sun. This team is part of an Earth-based organization known as the Sundiver Mission. Their task is to study strange entities observed within the Sun’s chromosphere, which may be linked to alien civilizations.

The novel delves into the complexities of interspecies politics, the ethics of genetic manipulation, and the existential quest for understanding one’s place in the cosmos. Demwa, a skilled biologist and diplomat, becomes embroiled in a mystery involving these solar entities, leading to a thrilling adventure combining hard science fiction and detective story elements. Throughout his journey, Demwa confronts political intrigue, the challenge of self-discovery, and the profound implications of humanity’s interactions with more ancient and advanced races.

Concerning propulsion, Sundiver features advanced spacecraft that use various futuristic propulsion techniques. The ships can dive into the Sun’s atmosphere, suggesting the use of sophisticated shielding technologies and propulsion systems that can withstand extreme heat and radiation. These include magnetic fields for protection and plasma-based engines for maneuvering within the Sun’s intense environment. The novel imagines these ships utilizing the Sun’s vast energy, harnessing solar power in ways far beyond current technological capabilities, showcasing Brin’s visionary take on space exploration and technological advancement.

(7) Wormholes

Contact by Carl Sagan.

Fig.12: The crew area in the ‘Machine.’

In Carl Sagan’s novel Contact, humanity receives a detailed blueprint of a complex machine through a mysterious radio message from outer space. The blueprint, seemingly sent by an advanced extraterrestrial civilization, presents a technical challenge of immense proportions. After extensive international collaboration and overcoming several political and scientific hurdles, the Machine is built.

The Machine is an enormous, intricate spacecraft designed to carry a crew of five individuals through a series of wormholes or tunnels in space-time, allowing them to traverse vast interstellar distances almost instantaneously. The Machine’s structure includes a series of concentric rings, which spin at high speeds to generate artificial gravity and stabilize the craft. At the heart of the Machine is a sophisticated quantum computer, which controls its operations and ensures the safe passage of its occupants.

Once constructed, the Machine is stationed at a remote location, heavily guarded and under strict observation. The crew, composed of scientists and engineers from various countries, undergoes rigorous training to prepare for the unprecedented journey. When activated, the Machine creates a dazzling light show and immense gravitational waves, signifying the opening of the wormholes. The journey through these tunnels is disorienting and surreal, with the travelers experiencing strange and otherworldly phenomena.

Upon their arrival at their destination, the crew encounters a simulated environment designed by the sending civilization to make first contact more comprehensible. The Machine’s mission reveals profound insights into the nature of the Universe and humanity’s place within it, raising fundamental questions about existence, intelligence, and the future of human civilization.

The Algebraist by Ian Banks

Fig.13: One of the starships built to travel through wormholes and maintained by child workers as described in The Algebraist. I made the image using Midjourney AI.

The Algebraist (2004) is a science fiction novel set in the distant future within a galaxy controlled by the Mercatoria, a vast and oppressive interstellar empire. The story follows Fassin Taak, a human Seer whose job is to study the Dwellers, an ancient and enigmatic alien species that inhabits gas giants. The Dwellers are nearly immortal and have an unparalleled knowledge of the galaxy’s history and secrets, including the location of mysterious wormholes that could change the balance of power in the galaxy.

When a hidden Dweller List containing crucial wormhole network coordinates is discovered, Fassin retrieves it. However, the Mercatoria and a powerful, rogue warlord named Archimandrite Luseferous are also pursuing the List. As Fassin delves deeper into the Dweller culture, he faces challenges and betrayals, uncovering secrets that shake his understanding of the Universe.

The novel explores themes of power, freedom, and the complexities of ancient civilizations. It is filled with Banks’ characteristic wit, intricate world-building, and philosophical insights.

The Collapsing Empire by John Scalzi

Fig.14: A starship traveling through space with ‘The Flow,’ as described in John Scalzi’s novel The Collapsing Empire. The author made the image using DALL-E AI.

The Collapsing Empire (2017) revolves around a human empire (the Interdependency) spread across many star systems, all connected by a faster-than-light pathway known as ‘The Flow.’

The Flow is an extradimensional field accessible at specific points in space-time and is more than just a method of transportation; it’s integral to the Interdependency’s social, economic, and political fabric. The empire was built on the premise that no colony could be self-reliant, ensuring compulsory interstellar trade and cooperation enforced by the monopolistic and ruling houses.

The novel centers on three primary characters: Cardenia, a reluctant new empress of the Interdependency; Marce Claremont, a scientist specializing in Flow physics; and Kiva Lagos, an audacious and foul-mouthed starship captain. Their lives intertwine as they uncover and navigate the political machinations and crises confronting the empire. Central to the plot is Marce’s groundbreaking discovery that The Flow, which has been stable for centuries, is shifting and may soon disappear. This could doom human colonies that depend on it for survival, effectively isolating entire star systems. This revelation sets off a chain of events filled with intrigue and betrayal.

Great Sci-Fi Novels 3: Jack Vance’s ‘The Demon Princes’

On By AlessandraIn Books, Reading, Writing

The Demon Princes is a galactic saga that Jack Vance wrote in five installments: The Star King (1960), The Killing Machine (1964), The Palace of Love (1965), The Face (1978), and The Book of Dreams (1979). It draws upon elaborate worldbuilding, which the author introduces in the form of “sources,” e.g., imaginary magazines, scientific papers, and textbooks describing exotic planets, alien peoples, strange rules, and customs. Quoted at the beginning of a chapter, these fictional sources minimize the need for long descriptive paragraphs.

Here are a few examples taken from the first novel, The Star King:

Chapter 1:

From an interview with Mr. Smade of Smade’s planet, a feature article in Cosmopolis, October 1523:

A short Q&A introduces the reader to the concept of Beyond, short for  “Beyond the Pale” or border, which separates the group of solar systems explored and settled by humans from the largely unknown Galaxy.

Most of the action revolves around the adventures of Kirth Gersen, an enigmatic character seeking revenge for the kidnapping and enslavement of his people. To this end, Gersen must confront five cruel overlords, the Demon Princes. The confrontations usually happen in the Beyond, a place, according to Mr. Smade, “frequented by the most notorious pirates and freebooters.”

Chapter 2:

From an article in Cosmopolis, May 1404:

Here Vance introduces Brinktown: “Once the jumping-off place, the last outpost, the portal into infinity – now just another settlement of the North East Middle Beyond.” As is often the case in SF novels, Brinktown seems to be both the name of the planet and the city, the latter being portrayed colorfully: “an explosion of architectural conceits, what turrets and spires, belfries and cupolas… the magistrates are assassins; the civil guards are arsonists, extortioners, and rapists.” We cannot help thinking of Star Wars Mos Eisley: “Not a more wretched collection of villainy and disreputable types exists anywhere on Tatooine.”

Chapter 4:

From New Discoveries in Space, by Ralph Quarry:

“The Rigel Concourse… twenty-six magnificent planets, most of them not only habitable but salubrious, though only two display even quasi-intelligent autochthones.”

When Kirth Gersen isn’t hunting for one of the Demon Princes beyond the Pale, he usually hangs around the Rigel Concourse, the planetary system of the blue supergiant star Rigel. According to Jack Vance, Rigel has twenty-six planets, of which Alphanor – the setting of most of the first novel – is the eighth. Jack Vance based the worldbuilding of The Star King on the early sixties astronomy. However, SF authors should be careful not to be too specific when including real planets or stars in their stories. What was then state-of-the-art knowledge soon became obsolete. It has been known for decades that extremely short lifetimes prevent blue supergiant stars like Rigel from developing habitable planets (before they turn into neutron stars or black holes).

Another good example can be found in the second novel, The Killing Machine:

Chapter 3:

From Chapter 1, The Astrophysical Background, in Peoples of the Concourse, by Streck and Chernitz:

The quotation at the beginning of the chapter partially answers the objections we raised above:

“But the very circumstances which make the Concourse what it is, provide one of the galaxy’s most tantalizing mysteries. Rigel is deemed by most authorities a young star, ranging in age from a few million to a billion years. How then to explain the Concourse, [with its] twenty-six mature biological complexes? [Some] have wondered if the planets of the Concourse were not conveyed hither and established in these optimum orbits by a now-dead race of vast scientific achievement.”

In other words, plot holes in SF stories stretching over several novels can be retroactively fixed with accurate worldbuilding in the next installments. To quote a famous example, this is what happened with some inconsistencies in the Star Wars Original Trilogy (1977-83), e.g., Leia kissing Luke, who turns out to be her brother, and Leia remembering her biological mother, who died in childbirth. All apparent errors were later explained in the “prequels” (1999-2005) and recent spin-offs like Kenobi (2022).

Great Sci-Fi Novels 2: Frank Herbert’s ‘Dune’

On By AlessandraIn Books, Reading, Writing

Frank Herbert’s Dune is another famous novel where some backstory is relayed at each chapter’s heading.

The novel’s first installment is much more extended than the Foundation trilogy, so Herbert had more “narrative space” than Asimov to introduce subtle details. 

Each chapter begins with a fictional quote, e.g.: 

“[…] And take the most special care that you locate Muad’Dib in his place: the planet Arrakis. […] Arrakis, the planet known as Dune, is forever his place.” 

(Chapter 1 Heading, from Princess Irulan’s The Manual of Muad’Dib)

The story’s primary location is the arid planet Arrakis, a.k.a. Dune. To paraphrase the ancient Romans: “nomen omen,” the destiny is in the name. In other words, one can already guess that the planet’s environment will be as crucial to the plot as the human characters.

“YUEH […], Wellington […], Stdrd 10,082 — 10,191; medical doctor of the Suk School […]”. 

(Chapter 5 Heading, from Princess Irulan’s Dictionary of Muad’Dib)

Writing about Galactic empires, one must pay attention to the word ‘years.’ The length of the year on Earth (365 days) is not the same as, for example, on Mars (1.88 Earth-years) or Venus (224.7 Earth-days). Dune’s universe extends over numerous worlds, each with its revolution period around the parent star. Thus, to credibly define Dr. Yueh’s age, Herbert had to use an Stdrd (i.e., standard).

“[…] With the Lady Jessica and Arrakis, the Bene Gesserit system of sowing implant-legends through the Missionaria Protectiva came to its full fruition. The wisdom of seeding the known universe with a prophecy pattern for the protection of the B.G. personnel has long been appreciated, but never have we seen a condition-ut-extremis with more ideal mating of person and preparation. […]. ” 

(Chapter 7 Heading, from Princess Irulan’s Analysis: The Arrakeen Crisis)

The Bene Gesserit order is probably what inspired George Lucas when he invented the Jedi order of Star Wars. Like the Jedi Masters, the Bene Gesserit use powerful mental techniques, developed through years of hard training, to engineer Galactic politics according to their plan. For example, one of their purposes is to select the mythical figure known as Kwisatz Haderach genetically. A similar plot device occurs in The Phantom Menace, the first episode of the Star Wars saga. The main storyline has the Jedi Master Qui-Gon Jinn and his apprentice Obi Wan-Kenobi chance upon a boy who might be the “Chosen One.” This is another name for a Galactic Messiah.

“[…] On the first day when Muad’Dib rode through the streets of Arrakeen with his family, some of the people along the way recalled the legends and the prophecy and they ventured to shout: ‘Mahdi!’. But their shout was more a question than a statement, for as yet they could only hope he was the one foretold as the Lisan al-Gaib, the Voice from the Outer World. […]”

(Chapter 13 Heading, from Princess Irulan’s The Manual of Muad’Dib)

The author’s intent is once again to convey the significance of Muad’Dib’s character. The people of Arrakis call him ‘Mahdi,’ a strongly messianic title. Indeed, ‘Mahdi’ isn’t a fantasy name but belongs to a religious figure of Islam. According to some Muslim traditions, the Mahdi will show up to deliver the world from evil and injustice in the Last Days. Throughout history, various individuals have claimed to be or were proclaimed to be the Mahdi. Among them, Muhammad Ahmad, the religious leader who established the Mahdist State in Sudan in the late 19th century and obtained a famous victory over the British in the siege of Khartoum.

Great Sci-Fi Novels 1: Isaac Asimov’s ‘Foundation’

On By AlessandraIn Books, Reading, Writing

A compelling SF worldbuilding cannot be done without delivering some backstory at the novel’s beginning. This must be done as early as possible without giving away too much and trying not to bore the readers. 

According to On Writing and Worldbuilding, Volume I, by Timothy Hickson:

“[In] Harry Potter and the Philosopher’s Stone […] J.K. Rowling introduces every major concept and virtually every major character in the story with well-hidden expository writing.”

With all due respect for J.K. Rowling and the Harry Potter series, I don’t agree that ‘expository writing’ must necessarily be hidden.

I can quote a few great SF classics where a nice chunk of information is in plain view right in the first page’s heading. It may take the form of a journal excerpt, a quotation from an encyclopedia, or even an interview with one of the secondary characters.

Here are a few examples: 

(1) Foundation, Isaac Asimov:

“HARI SELDON— … born in the 11,988th year of the Galactic Era; died 12,069. […] Born to middle-class parents on Helicon, Arcturus sector […].” From the ENCYCLOPEDIA GALACTICA.

And a few lines below, just after the incipit:

“[…] There were nearly twenty-five million inhabited planets on the Galaxy then, and not one but owed allegiance to the Empire whose seat was on Trantor.”

From these few words, the reader can already learn a lot about the tone and setting of the story:

— It’ll be about a Galactic Empire. The plot will unfold in a nation-state encompassing most of the Galaxy’s habitable planets.

In technical jargon, a Galactic Empire is what astronomers call a Kardashev Type III civilization, which is “a civilization in possession of energy on the scale of its galaxy” (M.M. Cirkovic, 2015);

— It’ll be about a long-lasting human civilization. Isaac Asimov’s future human society survived the so-called Great Filter. As explained in the book Exoplanets by Michael Summers and James Trefil:

“[…] there really doesn’t seem to be anything at all special about the way that life developed on Earth, and given the abundance of planets out there, there is no reason that complex life shouldn’t be quite common. On the other hand, from what we know about the process of evolution, we can expect the winners of the evolutionary game on other planets to be no more benevolent than Homo Sapiens. In this case, the [coming] Great Filter is easy to see. Once an aggressive, warlike species discovers science, they are likely to turn their discoveries against one another and, in essence, wipe themselves out. […]”

— It’ll involve interstellar and faster-than-light (FTL) travel. Isaac Asimov’s Foundation is loosely based on Gibbon‘s History of the Decline and Fall of the Roman Empire. In his monumental work, the XVII century English historian stressed Roman roads’ importance in ensuring efficient communications between the central authority and the dozens of provinces of an enormous Empire. The Galactic analog of Roman roads is, of course, hyperspace. Asimov was one of the first SF authors to use this plot device to sidestep the long time required for interstellar journeys.

Find out more about relaying the backstory in a novel in this post and this post.