In a recent post, I discussed the Silurian Hypothesis, which is the possibility that our human civilization is not the first one on Earth. Sci-fi authors have explored this concept in their works for at least a century.
One of the first was Howard Phillips Lovecraft, the author of the Cthulhu Mythos. As early as 1917, he wrote the story Dagon, where the protagonist escapes the German U-boat that sank his merchant ship. However, the sailor soon finds himself on a strange island that “[…] by some unprecedented volcanic upheaval […] must have been thrown to the surface, exposing regions that for innumerable years had lain hidden […]”.
In the middle of the island is a disturbing artifact, an ancient monolith engraved with occult symbols and figures. This human-amphibian mixture fills the protagonist with an inexplicable terror, which only grows worse when a slithering, sucking monstrosity crawls up from the sea and over the monolith. The sight plunges the unlucky man into madness. As a result, he runs away on a “delirious journey” until he wakes up in a San Francisco hospital, where no one believes him, and he’s left alone with the knowledge of the Thing’s existence and what it implies. A Thing so ancient that its existence dwarfs any human concept of time.
Although Dagon is an excellent introduction to Lovecraft’s obsession with vast, inhuman worlds beyond the limit of our knowledge, some of his later works dive even deeper into the rabbit hole of an unbearably old and malign civilization that predates and will outlast humans and their limited, relatively trivial experiences.
In February 1931, he wrote the sci-fi-horror novella At the Mountains of Madness, later serialized in the early 1936 issues of Astounding Stories.
The story is about an American expedition to Antarctica by geologist William Dyer from the fictional Miskatonic University of Arkham. Lovecraft had long been fascinated with Antarctica, though in the 1930s, the continent was not fully explored. As a result, Lovecraft could set his story in a mountainous chain “higher than the Himalayas” (the so-called Mountains of Madness) without fear of contradiction.
The expedition begins promisingly but ends in tragedy and horror after a sub-expedition led by a colleague of Dyer, the biologist Lake, discovers the frozen remains of monstrous barrel-shaped creatures that cannot be reconciled with the known evolution of this planet. They seem half-animal and half-vegetable, with greater brain capacity and super-human sensitivity. Lake jokingly identifies the strange beings with the Elder Things or Old Ones of the Necronomicon, who are “supposed to have created all Earth life as jest or mistake.”
Soon, Lake’s sub-expedition loses radio contact with the main party, apparently because of bad weather. However, when Dyer takes a small group of men in some airplanes to find out whatever happened to Lake and company, they discover a devasted camp and no trace of the specimens of the Old Ones, but for a few damaged ones, which they presume must have been buried by Gedney, the one human they couldn’t identify among the corpses.
Dyer and a graduate student, Danforth, investigate the mysterious tragedy further by scaling the immense plateau that makes “Everest out of the running.” To their amazement, they find an enormous stone city, fifty to one hundred miles in extent, likely dating to millions of years before any humans evolved on the planet. The subsequent exploration of some interiors leads Dyer and Danforth to conclude that the Old Ones built the city.
Also, by studying some drawings and carvings on the city walls, the two adventurers discover that the Elder Things came from outer space millions of years ago, establishing themselves in Antarctica and eventually spreading across the entire Earth. This is where the shoggoths – shapeless, fifteen-foot masses of gel-like substance which they controlled using hypnotic suggestion – first become important. Over time, these living robots developed a somewhat conscious brain and will, which led to the Old Ones having to deal with the shoggoths’ frequent rebellion attempts. The Old Ones faced more difficulties when other extraterrestrial races, such as the fungus-like creatures from Yuggoth and the Cthulhu spawn, arrived on Earth. The ensuing territorial wars pushed them back to their original settlement in Antarctica. Ultimately, their extinction became inevitable when they lost the ability to travel through space.
Shortly after, Dyer and Danforth discover the body of Gedney and a dog. They also stumble upon a group of Old Ones without their heads, suggesting they regained consciousness after thawing in Lake’s camp. Dyer observes that Gedney’s body was carefully protected to avoid further harm. From this, it can be inferred that the Old Ones were responsible for the destruction of Lake’s camp and took Gedney as a sample. However, the question remains: who killed the Old Ones?
At that point, Dyer and Danforth hear a disturbing piping sound. Afraid it could be some other Old Ones, they flee in terror, but not before they turn their flashlights upon a fast-approaching thing and find that it is “… a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self-luminous, and with myriads of temporary eyes forming and unforming as pustules of greenish light over the tunnel-filling front…”
But the two explorer’s trial is not yet over. As they return to camp, Danforth shrieks in horror: “Teke-li! Teke-li!” He has seen something even worse than the shoggoth who killed the Old Ones, something that unhinges his mind, although he refuses to tell Danforth what it is.
Although initially portrayed as scary creatures, the Old Ones are the main focus of the story “At the Mountains of Madness.” Eventually, they are overpowered by the shoggoths, who are described as “the things that even the scary things fear.” Near the end, the Old Ones stop being scary. This is a common theme in stories about civilizations that existed before our current one. For example, similar themes can be found in the novels A Canticle for Leibowitz by Walter M. Miller Jr (1959) and The Second Sleep by Robert Harris (2019). The Old Ones have a deep connection with humans, representing a perfect society that Lovecraft hopes humanity will someday achieve. However, they are much more advanced than humans in various ways, such as intelligence, perception, and artistic ability. As mentioned earlier, the Old Ones are responsible for creating all life on Earth, including humans. Nevertheless, they are destroyed by the shoggoths, initially created by the Old Ones as slaves. This illustrates Lovecraft’s belief in the inevitable rise and fall of civilizations.
Finally, At the Mountains of Madness introduces what later became a trope of sci-fi and fringe literature: most mythological “gods” were mere extraterrestrial beings, and their followers were mistaken about their true nature. The critical passage occurs in the middle of the novella when Dyer acknowledges that the Old Ones must have built the gigantic city in which he has been wandering:
They were the makers and the enslavers of Earth life, and above all doubt the originals of the fiendish elder myths which things like the Pnakotic Manuscripts and the Necronomicon affrightedly hint about.
