Darker Than You Think is one of the best stories I’ve ever read, if not the best. Although Jack Williamson wrote it in the 1930s, it’s fast-moving, incredibly well-written, and retains its supernatural horror charm. The first time I read it, I was a teenager. Since then, I enjoyed many other books and movies on werewolves, but Darker Than You Think is unique. I found this novel so inspiring that I wrote my own werewolf novel (more on this later.)

The novel’s introduction by Dennis Wheatley in the Gollancz (SF-Gateway) e-book version is worth quoting entirely:

This story by Jack Williamson has a truly original plot. 

It is based on the theory that all of us have a small (or occasionally quite large) percentage of evil in us, owing to blood we have inherited from that far distant past when it is said that ‘the Sons of God (Dark Angels in this case) went into the Daughters of Men’. 

It starts with Will Barbee, a journalist in the American town of Clarendon, at the local airport. He is on an assignment to report the homecoming of a famous American archaeologist, Dr. Lamarck Mondrick, who is returning from two years’ work in a desolate part of Mongolia. 

A few years earlier Barbee had been one of Dr. Mondrick’s most promising students; but when the doctor made up his team to accompany him to Mongolia, without explanation he excluded Barbee and took three of his contemporaries. Later the reason why the doctor would not take Barbee emerges. He sensed that the young man, although ignorant of it himself, had inherited from both his parents blood that contained a dangerously high proportion of this prehistoric evil. 

While waiting on the airfield an exceptionally lovely girl, April Bell, introduces herself to Will Barbee as a cub reporter on her first assignment for a rival paper. He is so strongly attracted to her that, against his better judgement, he gives her useful material for writing her article. She is carrying a large open snakeskin bag in which there is a small black kitten and a beautifully carved white jade wolf on a gold pin. The aircraft arrives but there is considerable delay in its passengers disembarking, because Dr. Mondrick wishes to make an announcement of worldwide importance. While the press and television men are assembling, the doctor’s companions bring out from the plane a large box which they will allow no one to approach. He then begins his announcement, but is obviously extremely ill and, before revealing his great secret, falls dead. Later Barbee discovers April’s black kitten dead in an ash can with her wolf-headed pin through its heart.

Much puzzled, he takes her out to dinner and she tells him of her past. She was illegitimate and her stepfather used to beat her unmercifully. Then she gradually discovered that she had occult powers, and used them as a witch to revenge herself on Barbee is so fascinated by her big green eyes, wonderful head of flaming red hair and alluring body that he cannot believe evil of her, and they continue to meet. 

A night comes when in his sleep he hears April calling him; he suffers a few minutes’ physical anguish then tumbles out of bed to find that he has become a big grey wolf. At once he sets off to join her and sees that she is now in the form of a beautiful white wolf. He feels a new freedom through his physical change and derives great pleasure from racing through the deserted streets beside her. The author’s description of Barbee’s reactions as an animal to smells that a human would hardly notice is most skillfully conveyed, and April succeeds in temporarily convincing him that he is one of her own kind – a race of super-humans with powers that will enable them to dominate the world. But they have enemies who must be destroyed: the three young men who accompanied Dr. Mondrick to Mongolia, who are in a desperate state of nerves guarding the mysterious box they brought back; and Dr. Mondrick’s blind widow.

All four of them know too much; yet they are Barbee’s dearest friends. He is terribly reluctant to harm them. Even so, he becomes more and more enslaved by the lovely witch and delights in those nights when, free from all care, he can rove the countryside with her. Terrible deeds ensue.

Years ago, after I gave up on trying to become a professional astronomer, I decided to follow an old dream of mine, that is, write down the fantasy and Sci-Fi stories I used to tell myself since I was a kid (usually before sleeping, or when I was bored at school, or even when I shouldn’t have, for example when I had to work or study.) The stories were many, with details taken from hundreds of TV shows I’d watched and comics and books I’d read during my early life. Ultimately, they merged into a single plot of three different storylines, converging to an unexpected finale. 

The writing technique of taking inspiration from multiple sources was known to the ancient Roman scriptwriters. It was called ‘contamination’ and consisted of taking elements of two or more Greek tragedies to create a new and original Latin script. Far from being plagiarism, many famous authors, screenwriters, and directors are known to have reworked elements from other artists’ productions into their successful creations. For example, when George Lucas wrote and directed the original Star Wars movie, he was influenced by several Sci-Fi and fantasy stories, both in visual and written form. The characters of Princess Leia, the captive of the evil galactic empire, and her rescuers Luke Skywalker and Han Solo are derived from the protagonists of Akira Kurosawa’s The Hidden Fortress (1958) (two Japanese peasants agree to accompany a general and a princess to safety in return for gold). Also, Star Wars’ final scene, where Princess Leia awards her rescuers a gold medal, is almost a carbon copy of the finale of George Sidney’s The Three Musketeers (1948), where the queen of France rewards D’Artagnan & Co.

But I digress. Although my novel The Empire Can Wait is original, it is influenced by Darker Than You Think. Set in a distant future, when humanity has spread all over the Milky Way Galaxy, and interaction with alien races is an everyday matter, it’s the story of a flawed young man on a quest to retrieve the only weapon against a conspiracy led by an evil Prime Minister and his clique of superhumans.

I’ve been self-editing this novel for years, following every writing advice I could find. Now, I’ve reached a point where more editing can only be harmful. So, I plan to share the prologue and the first few chapters of The Empire Can Wait on this website.